Going Dutch
German fare is never better than when it is large, salty, and hot.
Written by Caitlin White | Photography by Blake Bronstad
German fare is never better than when it is large, salty, and hot. Think soft pretzels as big as your head, massive servings of pork schnitzel, and, of course, bratwursts with sauerkraut, potato salad, and two kinds of mustard. DUTCH GARDEN, which is currently only open for lunch Wednesday through Sunday, offers German comfort food, with packed rooms, jovial servers, and gigantic portions—plus a delightful sprawling garden dining room. Although this historic restaurant is one of the oldest in Santa Barbara (it originally opened as the Poppy Cafe back in 1925), the current iteration began in 1984, when Ken and Laurie Luetjen took over and ran it as a hole-in-the-wall until it closed in 2020. New owners Matt English and Charlie and Jen Fredericks have revitalized it once more, honoring the past and lovingly updating it for the future. While there’s space indoors, too, camping out in the sunshine with a crisp cucumber salad, pastrami on rye, and a pint of cold beer is the perfect antidote for a midday slump. 4203 State St., Santa Barbara, 805-453-4556, @dutchgardenSB
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Plant-Based Bounty
he restaurant’s culinary orientation is clear from its name—RASCAL’S VEGAN—but owner and chef Dalan Moreno’s commitment to that dietary regimen goes beyond a foodie trend.
Written by Caitlin White | Photography by Seth Epstein (Portrait)
Dalan Moreno
The restaurant’s culinary orientation is clear from its name—RASCAL’S VEGAN—but owner and chef Dalan Moreno’s commitment to that dietary regimen goes beyond a foodie trend. It’s literally inked on his skin with an all-caps neck tattoo. Partly influenced by punk culture, Moreno converted to veganism at the tender age of 15. Since then his mission has been to make vegan cooking authentic, accessible, and affordable.
For years, Rascal’s existed as a series of pop-ups and residencies in other spaces, but it has settled into a permanent home next to Third Window Brewing. With handmade scratch tortillas and classics like al pastor tacos (made with seitan) or a (soy) asada crunch wrap with cashew crema, Moreno’s menus span breakfast, lunch, and dinner and hit on plenty of fast-food cravings with none of the guilt. Chef’s favorite: a fresh-baked torta smothered in red salsa and fried with house-made vegan chorizo, tofu cheese, and shredded lettuce. 432 E. Haley St., Suite A, Santa Barbara, 805-770-2478, rascalsvegan.com
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Secret No More
Peter Lee and Felicia Medina have turned a pandemic pop-up into one of Santa Barbara’s most playful Asian-fusion concepts: SECRET BAO.
Written by Caitlin White | Photography by @Datsufilms, Courtesy of Visit Santa Barbara
Peter Lee and Felicia Medina have turned a pandemic pop-up into one of Santa Barbara’s most playful Asian-fusion concepts: SECRET BAO. The name refers to when the pair were surreptitiously cooking out of their apartment. Their fluffy mini sandwiches are now a staple for Santa Barbara foodies and a treat for out-of-town visitors, too.
Although Lee, who is Korean, and Medina, who is Mexican, Cuban, and Chinese, both have extensive backgrounds working in restaurants, neither had worked in an Asian restaurant before opening one. That’s likely why they weren’t too precious about crafting a Pan-Asian menu that travels from highbrow to lowbrow and back without missing a beat.
Consider the KFC bao: Korean fried chicken, umami coleslaw, pickled red onions, and mayo, all spilling out of a pillowy bao bun. These days the menu leans less on the PB&J or grilled-cheese bao and more toward udon carbonara, curry crab noodles, and honey-walnut shrimp. The tongue-in-cheek baos were fun; the new menu is a joy. 1201 Anacapa St., Santa Barbara, 805-259-3226, secretbaosb.com
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Bangkok in Buellton
Southern California has no shortage of great Southeast Asian cuisine, but NA NA THAI, a new kitchen in Buellton, is in the running for best Thai food in the entire state.
The colorful bar that anchors Na Na Thai
Written by Caitlin White | Photography by Sparks, Talia Helvey (portrait)
Southern California has no shortage of great Southeast Asian cuisine, but NA NA THAI, a new kitchen in Buellton, is in the running for best Thai food in the entire state. Nik and Ashley Ramirez spent four years living and working in Bangkok before landing in Buellton. Working in and commuting to Santa Barbara eventually became untenable, but linking up with Greg and Daisy Ryan of Companion Hospitality led first to a weekly pop-up at Bar Le Côte and, eventually, a full-fledged, neon-hued Thai kitchen in a sleepy local strip mall.
Well, it’s sleepy no more. About an hour into service on a recent Saturday night, the entire dining room was packed, as plates of gai tod and nam jim jaew (fried chicken with chili dipping sauce), larb moo and kao (minced pork salad and sticky rice), and tom kha gai (chicken and coconut soup) began to fill the tables. Go big with pla tod, a whole fried fish with fried garlic or three-flavor sauce. Finish with gluay tod kao mao, banana fritters with coconut ice cream. No reservations, so go while a walk-in slot still comes with a manageable wait time. 225 McMurray Rd., Unit E, Buellton, nanathaisyv.com
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The Lark Ascending
A decade ago the Funk Zone was an emerging neighborhood in Santa Barbara, and THE LARK was a newcomer in the area.
Written by Caitlin White | Photography by Ali Beck
A decade ago the Funk Zone was an emerging neighborhood in Santa Barbara, and THE LARK was a newcomer in the area. Ten years later, Jason Paluska’s Michelin-recognized menu is still going strong in both its daytime and nighttime iterations—the brunch game is just about as memorable as the epicurean dinner on the patio. As the first fine-dining restaurant in the Funk Zone—and the flagship kitchen of Acme Hospitality, which has since expanded to encompass several other food and beverage concepts—The Lark is an anchor, a local haunt, and a bucket-list stop for Santa Barbara visitors.
To celebrate both the longevity and the consistency of this neighborhood kitchen, Paluska and his crew welcomed Los Angeles culinary legend Nancy Silverton (Osteria Mozza, Chi Spacca) and restaurateur and wine director Caroline Styne (A.O.C., Caldo Verde) to collaborate on a benefit anniversary dinner. The gala event began with a wine reception and hors d’oeuvres hosted by the Santa Barbara Wine Collective, before guests moved into a seated dinner in the Pullman Room featuring collaborative dishes from Paluska and Silverton, and wine pairings by Styne. In honor of the occasion, The Lark made a generous donation to the James Beard Foundation. 131 Anacapa St., Santa Barbara, 805-284-0370, thelarksb.com
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Creative Collab
Collaboration between creatives can result in magic; the artistic result almost always exceeds the sum of its parts.
Written by Lorie Dewhirst Porter
Collaboration between creatives can result in magic; the artistic result almost always exceeds the sum of its parts. Now two of Santa Barbara’s most popular arts institutions, the Santa Barbara Museum of Art (SBMA) and the Museum of Contemporary Art Santa Barbara (MCASB), are joining forces to present Janna Ireland: True Story Index, a midcareer survey of the artist’s work on view at both locations February 11 through May 12, 2024.
Based in Los Angeles, Ireland is an assistant professor in Occidental College’s Department of Art and Art History. She is known for her photographs featuring themes of family, home, and Black identity in American culture. Regarding Paul Williams: A Photographer’s View, her acclaimed photographic monograph of buildings designed by legendary Black architect Paul Williams, was published in 2020. Ireland’s work resides in museum collections nationwide, including the Los Angeles County Museum of Art and SBMA.
The exhibition is co-curated by Charlie Wylie, SBMA Curator of Photography and New Media, and MCASB’s Frederick Janka. sbma.net, mcasantabarbara.org
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Red Carpet Style
Leanna Drammer spent much of her career in the celebrity fashion world, creating red-carpet and runway events in Los Angeles and New York.
Written by Jennifer Blaise Kramer | Photographty by Danielle Honea
Leanna Drammer spent much of her career in the celebrity fashion world, creating red-carpet and runway events in Los Angeles and New York. “I had every job in fashion known to man,” she says, having produced shows for houses including Chanel, Ferragamo, Hermès, and Michael Kors. But the burnout became real, as did the pull to return to her native Santa Ynez Valley. “Last year I did 17 fashion shows in four days, and I told my husband, ‘I quit,’” Drammer says. With the Auberge resort opening up in Los Olivos, she acted fast and nabbed a prime retail spot to debut LOU LOS OLIVOS. “We have so much relaxed casual here, there was a need for elevated fashion,” she says. LOU is stocked with ba&sh, A.L.C., Le Superbe, and Louis Verdad, along with handbags, fragrance, and jewelry. It’s Drammer’s first boutique, and she hopes it’s her last. “I want to be here for the rest of my life,” she says. While she’ll still make quick trips to New York and Paris, she adds, “I want to be going to the shows, not producing them.” 2938 San Marcos Ave., Unit 103, Los Olivos, 805-693-2913, loulosolivos.com
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Smart Art
For lovers of art and architecture, UC SANTA BARBARA’S ART, DESIGN & ARCHITECTURE MUSEUM is a mandatory destination.
Katherine Dunham, 1936, photographer unknown, Jerome Robbins Dance Division, NYPL for the Performing Arts
Written by Lorie Dewhirst Porter
For lovers of art and architecture, UC SANTA BARBARA’S ART, DESIGN & ARCHITECTURE MUSEUM is a mandatory destination. Helmed by director Gabriel Ritter, the museum offers ambitious exhibitions that provide deep dives into work by architects and artists. From Within: The Architecture of Helena Arahuete (curated by Silvia Perea and on view through December 17) is an in-depth survey and first retrospective of the work of Helena Arahuete, whose long career includes a 23-year tenure with renowned architect John Lautner before establishing her own firm. Please, Come In ... (curated by Sylvia Faichney and Graham Feyl and also on exhibit through December 17), critically examines museum period rooms through four iconic environments (discotheque, dive bar, living room, bathroom) filled with disparate objects and artworks that document and reference queer methods of assigning meaning to those spaces. Border Crossings: Exile and American Modern Dance, 1900–1955 focuses on how modern dance was shaped by war, exile, inequality, and injustice, while challenging previous histories of performance art. (Curated by Ninotchka Bennahum and Rena Heinrich, the exhibit is on view January 25 through May 5.) A Box of One’s Own: Women Beyond Borders showcases a 1991 project entitled “Women Beyond Borders,” which invited women around the world to transform a small wooden box into an art piece. More than 900 people across 50 countries ultimately participated in the project. (Letícia Cobra Lima curated the show, which is on view January 25 through May 5.) 552 University Rd., Santa Barbara, 805-893-2951, museum.ucsb.edu
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Well-Being
During lockdown, when anxiety was spiking because of isolation, Talina Hermann was reaching out on Instagram, calming the community with tips on stillness, breathwork, and even which tea to sip.
Acupuncture is among the holistic treatments
Written by Jennifer Blaise Kramer | Photography by Blue Gabor
During lockdown, when anxiety was spiking because of isolation, Talina Hermann was reaching out on Instagram, calming the community with tips on stillness, breathwork, and even which tea to sip. Her gentle wisdom was a breath of fresh air as her followers listened, wondering what she would tell them next. Little did we know that Hermann was on her own journey to become Dr. Talina Hermann, wrapping up a four-year master’s degree plus a doctorate to launch her MONTECITO WELLNESS CLINIC, which debuted this fall.
Her space, with tranquil rose walls and soft shearling seating, presents an image of serenity. Patients come for in-depth assessments to discover what’s off with their body. They receive a custom treatment protocol, which may involve blood work, acupuncture, breathwork, plant medicine, herbs, supplements, and holistic psychotherapy.
Clients begin with consultations in functional or Chinese medicine; textured wood and rose walls make for a welcome reception.
Plush seats to pamper guests; candlelight, breathwork, and sacred circles are also part of the treatment plans.
“We’re trying to get to the mystery that no one has been able to solve,” Hermann says, adding that most often patients’ issues involve pain, digestion, sleep, menopause, or hormones, as 90 percent of her clientele is female.
“Every time I’m at lunch, dinner, or drinks, the conversation turns back to hormones,” she says. It’s one of the shifts and transitions she’s eager to provide support for to an audience that is eager for additional therapies. “We’re in a new chapter now, and we’re more empowered.”
Poetry adds a touch of soul to the integrated experience.
As she continues to roll out offerings, Hermann will seek more information and answers on cutting-edge practices. “I love what I do, and I’ll probably always be in some kind of training,” she says. The key is to offer a space to help everyone take better care of themselves, wherever they are in their healing journey. “If we can reduce anxiety and reset our nervous systems, our bodies will heal.” 1483 East Valley Rd., Studio 19, Montecito, 805-455-1264, montecitowellnessclinic.com
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The Craft of Hospitality
Hearth Homes ushers in the next chapter of the historic inn downtown
Hearth Homes ushers in the next chapter of the historic inn downtown
Designers Katie Labourdette-Martinez (left) and Olivia Wahler (right) attend to every detail.
Written by Jessica Ritz | Photographs by Blake Bronstad
Honoring the past and positioned for the future, THE CRAFT HOUSE INN is “a modernized B&B that has its own story to tell,” says interior designer Olivia Wahler. She and Katie Labourdette-Martinez, her Hearth Homes Interiors cofounder (and sister-in-law), have breathed new life into the Arts and Crafts–style property, which formerly operated as the Glenborough Inn and White Jasmine Inn.
“Everything we do is with an eye toward restoring and reviving the original elements”
“We want families to come stay and create core memories,” Labourdette-Martinez adds. And with four bedrooms and four and a half baths, it’s an ideal one-stop-shop celebration buyout. Plus there’s a separate Lotus Suite that sleeps two.
The emphasis on kin is no surprise, given that the entire enterprise is a family affair. Lucas Martinez, president of Hearth Homes, which also includes hospitality arm Hearth Home Stays, is
Labourdette-Martinez’s husband and Wahler’s brother. Chef Julian Martinez of Barbareño, who oversees the property’s culinary offerings, is a third sibling and rounds out this powerhouse team.
The house dates from the early 20th century, so “we tried to update everything without taking away any of the character,” Labourdette-Martinez explains. “We mixed a little here and there to give it more of a modern feel,” Wahler notes. Bold wallpaper from House of Hackney emblazons the dining room where the rich original woodwork has been restored. Dressers were repurposed into vanities, but the kitchen and bathrooms are outfitted with contemporary comforts.
The venue is now part of the Hearth Homes Stays portfolio. “Everything we do is with an eye toward restoring and reviving the original elements,” says Lucas Martinez, who adds that they’re privileged to be the stewards of a beautiful historic property. “We don’t take that responsibility lightly.” 1327 Bath Street, Santa Barbara, thecrafthouseinn.com
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In Love with Landscape
ATKINSON GALLERY, at Santa Barbara’s City College, is one of the best places locally to see contemporary art, thanks to the insightful exhibitions by its talented director, John Connelly.
Soumya Netrabile, 2 P.M. in the Park.
Written by Lorie Dewhirst Porter | Photography by Tony Mastres
“The artists approach landscape in various ways using a variety of different media, but all have a deep respect for the art history of landscape depiction.”
ATKINSON GALLERY, at Santa Barbara’s City College, is one of the best places locally to see contemporary art, thanks to the insightful exhibitions by its talented director, John Connelly. New Landscapes Part I, which is on view through December 8, is the first of a two-part exhibition exploring the nature of landscape, with a focus on land, sky, and sea. Part I features work by Whitney Bedford, Diedrick Brackens, Manuel López, Cruz Ortiz, Jonathan Ryan, and Jonas Wood. Beginning January 22, New Landscapes Part II will include pieces by Ann Craven, Maureen Gallace, Porfirio Gutiérrez, Jordan Nassar, Soumya Netrabile, Robyn O'Neil, David Benjamin Sherry, and Gabriela Ruiz. According to Connelly, the artists approach landscape in various ways using a variety of different media, “but all have a deep respect for and offer a response to the art history of landscape depiction.” Humanities Bldg., H-202, SBCC, 721 Cliff Dr., Santa Barbara, gallery.spcc.edu.
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Perfect Imperfection
Ojai native MARK CHURCHILL has been making pottery for more than 30 years.
Ceramicist Mark Churchill in his studio.
Written by Lorie Dewhirst Porter | Photography by Marian Schulze
Ojai native MARK CHURCHILL has been making pottery for more than 30 years. For much of that time, he worked as an apprentice to local master Frank Massarella; Churchill’s apprentice is Kiran Sahgal. Collectively they belong to Ojai’s ceramics lineage, which famously stretches back to renowned clay masters Vivika and Otto Heino and, of course, Beatrice “Beato” Wood.
Churchill’s own style is evident in his creations, which fuse his unique talents with Japanese and Korean aesthetics and techniques. Over the past decade he has been perfecting his version of the moon jar, a large, round porcelain vessel whose origins date to Korea’s Joseon Dynasty (1392–1897). Revered historically as the embodiment of Confucian ideals, moon jars remain highly prized and collected worldwide. An 18th-century example recently fetched $4.5 million at Christie’s in New York.
“The thing about the moon jar is it’s completely perfectly imperfect,” Churchill says. “It has very formal elements; the opening at the top has to be wider than the outside diameter of the base.” It may sound simple, but moon jars are constructed by joining two large bowls together, which is no easy task. Porcelain clay is extremely tricky to work with, and disasters—like cracks—can occur at any stage in the process (drying, firing, cooling). “When I started making them, if I got one out of 10 not to crack, I’d be really lucky,” he admits, adding, “they’re supposed to be difficult. To me, the point of them is that they take everything you’ve got.”
There’s more to them, though, than their rigorous technical aspects. As a master potter once told Churchill, “When you hold your own moon jar it should feel like your mother’s embrace.”
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Cruz in Control
During its 82-year existence, 11 directors have led the SANTA BARBARA MUSEUM OF ART (SBMA).
Amada Cruz, the Eichholz Foundation Director of the Santa Barbara Museum of Art.
Written by Lorie Dewhirst Porter | Photography by Sara Prince
During its 82-year existence, 11 directors have led the SANTA BARBARA MUSEUM OF ART (SBMA). Only one of these individuals was female: Ala Story, whose tenure ended in 1957. Now, nearly seven decades later, Amada Cruz has been selected as SBMA’s Eichholz Foundation Director.
This is not to say the museum has ignored women. Mercedes Eichholz and Leslie Ridley-Tree, two formidable Santa Barbara philanthropists, each chaired the organization’s board of directors. And the Women’s Board, the museum’s wildly successful fund-raising group, has significantly shaped SBMA since 1951. But Cruz’s appointment signals a different era, as a new generation of women steps into high-profile leadership roles at several key Santa Barbara cultural institutions.
Cruz was nine months old when her family emigrated to the United States from her birthplace, Havana, Cuba. After graduating from New York University with a fine arts/political science degree, Cruz began her art-world ascent as a curator, with stints at the Smithsonian’s Hirshhorn Museum and Chicago’s Museum of Contemporary Art. Early on she was strongly encouraged to apply for directorship positions, and she has followed that path for much of her 30-year career. Cruz ran a renowned art residency program (Artpace in Texas), directed Bard College’s Center for Curatorial Studies Museum in New York, and was director of the Phoenix Art Museum. Most recently, Cruz served as executive director of the Seattle Art Museum.
Compared with the Seattle institution, which has three large venues hosting nearly a million visitors per year, SBMA is intimate, attracting 150,000 annual guests. But the size disparity is what attracted Cruz to Santa Barbara. “I can actually get my arms around this place,” she says. “At this point in my career, I want something a little more manageable. I also want to think about communities and making connections, more than taking care of facilities. I’d like to focus more on mission.”
For Cruz, SBMA’s mission statement is critical. “It is the North Star for everything the museum does,” she says. “I am very attracted to the mission statement, which is very simple in many ways but very important to think about: ‘integrating art into the lives of people.’ That means the museum is not an ivory tower; that means that everyone here believes that art can have an effect on people’s lives.”
Given the reality that museums must compete to stay relevant in a world of virtual entertainment, Cruz knows this mission is no small task. But she has considered what an ideal museum could be. “A place that really provides meaning for people. A place that has connections to a lot of communities, so people come and they feel like it’s their museum,” Cruz says, adding, “I think that really the only future for museums to survive is for people to actually feel they have ownership. People want to see themselves in museums. That is very important to keep in mind.” 1130 State St., Santa Barbara, 805-963-4364, SBMA.net.
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London Calling
Claridge’s and The Lanesborough reign supreme
The historic Roman stone facade of Claridge’s hotel in London.
More than 150 years later, Claridge’s still reigns supreme
Written by Caitlin White | Photography by Justin Desouza, Claridge's, David Cotsworth
Tucked between Hyde Park and Buckingham Palace, Mayfair has long cultivated a reputation as one of London’s poshest neighborhoods—and iconic CLARIDGE’S hotel sits right in the heart of it. Opened in 1856, Claridge’s has been serving up luxury for a century and a half and is particularly known for its traditional afternoon tea, recently named by Vogue as one of the city’s best. Heralded for its signature pastel-striped china, smoked-salmon sandwiches, and scones with clotted cream and jam, Claridge’s Foyer & Reading Room is the place to go if you’re feeling peckish in the afternoon, perhaps after a day spent wandering nearby cobblestone streets.
The property’s new bar, dubbed The Painter’s Room, was designed by Bryan O’Sullivan.
This historic hostelry is also the place to stay if you’re looking for contemporary luxury and a bit of glamour, because the property is ushering in a series of updates that grounds it firmly in the 21st century. Recently opened is the Art Deco-inspired cocktail bar called The Painter’s Room, which serves all manner of elegant libations. Other on-site experiences include L’Epicerie, a chef’s table for private parties and special bookings, and Claridge’s ArtSpace, a subterranean, museum-quality gallery.
As part of the Maybourne Hotel Group, which includes luxe properties on the French Riviera and in Beverly Hills, Claridge’s rooms and suites preserve classic architecture and style without sacrificing modern amenities. Expect grand pianos, chandeliers, hand-painted walls, and antique furniture, along with personal butler service, up-to-date technology, and a sense of effortless chic. Rooms from $895/night. claridges.co.uk
Regency Style, Contemporary Comfort
White-gloved doormen await guests at The Lanesborough hotel in London.
The Lanesborough occupies a sought-after corner of London, but it’s the interiors that are notable, transforming this opulent Regency-style property into a modern palace. The firm of celebrated Parisian photographer and interior designer Alberto Pinto is responsible for the hotel’s two-year renovation, which painstakingly restored the original 1820s architecture with extravagant details like 23¼-carat gold-leaf gilding on the ceilings, custom embroidery, and other artistry, thanks to specialists who matched their crafts to the Regency period.
Throughout its 93 rooms—including several multiroom suites—The Lanesborough is a testament to London’s past brought into the 21st century with a joie de vivre that embraces the future. And let’s not forget the lavish amenities, such as 24-hour personal butler service, a fleet of chauffeured cars, and complementary clothes pressing. The 18,000-square-foot spa and club, installed in 2017, has become a destination unto itself, although a table at the newly launched Lanesborough Grill or afternoon tea in the dining room are equally alluring. Rooms from $1,006. Hyde Park Corner, London, oetkercollection.com/hotels/the-lanesborough
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And…Action!
Boasting major star power for its 38th annual iteration, the 2023 Santa Barbara International Film Festival will honor The Witcher: Blood Origin’s Michelle Yeoh with The Kirk Douglas Award at the black-tie fundraiser on December 9 at The Ritz-Carlton Bacara—the award’s first bestowal since Douglas’s passing.
Boasting major star power for its 38th annual iteration, the 2023 Santa Barbara International Film Festival will honor The Witcher: Blood Origin’s Michelle Yeoh with The Kirk Douglas Award at the black-tie fundraiser on December 9 at The Ritz-Carlton Bacara—the award’s first bestowal since Douglas’s passing. Also being honored by the SBIFF are Cate Blanchett (the Outstanding Performer of the Year Award on February 10); Jamie Lee Curtis (the Maltin Modern Master Award on February 11); and Brendan Fraser (the American Riviera Award on February 14), among other talents. The 11-day festival will take place February 8 – 18. To purchase tickets, donate, or learn more, visit sbiff.org.
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Viva la Modernism
Upon entering the lobby of the VICEROY LOS CABOS, the view is so striking that some visitors may question if they’re still in Cabo.
The serene courtyard at Viceroy Los Cabos.
An architectural marvel in Baja California Sur
Written by Caitlin White | Photographs by Christian Horan Photography
Upon entering the lobby of the VICEROY LOS CABOS, the view is so striking that some visitors may question if they’re still in Cabo. They are—that is, not in Cabo San Lucas, land of all-inclusive resorts and year-round spring breakers, but in San José del Cabo, a quieter, refined historic enclave slightly north of San Lucas.
Initially constructed as a boutique hotel in 2016 by celebrated Mexican architect Miguel Angel Aragonés, the former Mar Adentro was later acquired by Viceroy and renovated by Mexican design firm Arquitectura de Interiores. Reopened in 2018, Aragonés’ stunning balance of light and water stayed intact, with shallow pools scattered among the stark modernist towers. To offset the angular buildings, woven nestlike orbs set apart two restaurants, Nido, where ceviche and robatayaki reign supreme, and Nidito, the oceanfront bar that borders two of five pools on the property.
A suite with ocean views and an open-air soaking tub.
Those two restaurants are only the beginning of the culinary experiences available at the hotel: The Cielomar rooftop grill utilizes brick-oven and wood-fired cooking to showcase the exemplary seafood of the region. And the newest dining experience here is Dalia, an outdoor garden where colorful cocktails garnished with fresh flowers and flavorful Mediterranean cuisine are available in equal measure.
The property’s Nidito bar.
To relax after the incredible meals, guests can retreat to their expansive suites, where extravagant amenities like double showerheads and standalone tubs give way to ocean-view balconies. By and large, the Viceroy Los Cabos redefines Mexican luxury on both an architectural and a culinary level. From $550/night. viceroyhotelsandresorts.com/los-cabos
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Reality Bites Back
Ten years ago filmmaker ELIJAH ALLAN-BLITZ produced a video for his positivity-laced song “Hey Yo,” laced with local color shot around the native Santa Barbaran’s Mesa Lane house and with Arnoldi’s Café passing for an all-American diner.
Elijah Allan-Blitz has worked as an actor and musician but is presently living out his dream working behind the camera and in the digital realm.
Written by Josef Woodard
Ten years ago filmmaker ELIJAH ALLAN-BLITZ produced a video for his positivity-laced song “Hey Yo,” laced with local color shot around the native Santa Barbaran’s Mesa Lane house and with Arnoldi’s Café passing for an all-American diner.
The filmmaker collaborated with partner Brie Larson on Remembering.
Cut to this fall, and the now Los Angeles-based Allan-Blitz, strongly established as a pioneer in the field of augmented reality (AR), has created the sweet, bedazzling short Remembering for Disney+. Though only eight minutes long, Remembering—created with the filmmaker’s artistic and romantic partner Brie Larson—feels akin to a trailblazing micro-epic. In this tale of a writer (Larson) discovering the power of childlike wonder and imagination, the unique technical marvel is a passage in which AR technology puts us in the picture, and the fantasyland picture inside our living rooms, via a downloadable app for iPhone and iPad to complete the dimensional illusion. Developed during lockdown, the ambitious project found an ally in Disney, which Allan-Blitz reports “supports creatives and was helping me out, spitballing ideas in terms of new ways to utilize technology, to advance storytelling.”
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Lowe and Behold
Born into the entertainment world, where apples don’t fall far from trees, JOHN OWEN LOWE grew up in Montecito, the son of Rob Lowe, and is pursuing the family business.
John Owen Lowe
Written by Josef Woodard | Photographs by John Owen Lowe; portrait, Max Thompson
Born into the entertainment world, where apples don’t fall far from trees, JOHN OWEN LOWE grew up in Montecito, the son of Rob Lowe, and is pursuing the family business. While a student at Stanford University, the younger Lowe (he’s now 27) multitasked with acting—in The Grinder and Holiday in the Wild—and has expanded his IMDb imprint to include story editor (on 9-1-1: Lone Star) and work both behind and in front of the camera for the upcoming Netflix series Unstable.
There’s also Grace Point, a new film about misadventures on the way to a remote rehab, in which Lowe is both the lead actor—his first such role—and a producer. “It touches on a deeply important aspect of my life: sobriety,” says Lowe of the upcoming film, which has been accepted into the Santa Barbara International Film Festival’s 2023 lineup. “We cowboyed this movie, production-wise. This was a shoestring-budget independent film, so everyone involved was doing it out of passion for the script and story. It ended up creating a unifying motivation for everyone to push themselves and really deliver.”
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Giving Back
She was the belle of every charity ball. She had flame-red hair and a wonderful throaty laugh, an echo of her days as a torch singer.
The colorful philanthropist Lady Leslie Ridley-Tree
Written by Lorie Dewhirst Porter | Photograph: Courtesy of Santa Barbara Historical Museum
She was the belle of every charity ball. She had flame-red hair and a wonderful throaty laugh, an echo of her days as a torch singer. She was fond of real big jewels and wore them with aplomb. She never left the house without lipstick on. She adored music, men, and Bergdorf Goodman (not necessarily in that order). She had her dining-room walls painted fire-engine red. She was a wonderful cook (coronation chicken and summer pudding were specialties). She encouraged her husband, Paul, to part with a sizeable portion of his fortune to support charitable causes (and after he died, she gave away even more). She was always first in line to support organizations she believed in, and often got her name on the building as a result: The Santa Barbara Museum of Art’s Ridley-Tree Education Center; Westmont College’s Ridley-Tree Museum of Art; the Santa Barbara Zoo’s Ridley-Tree House Restaurant; Cottage Hospital’s Ridley-Tree Pavilion Medical ICU) and Sansum Clinic’s Ridley-Tree Cancer Center, among many, many others. She wasn’t afraid to roll up her sleeves and help out, often in the kitchen at the former Casa Esperanza Homeless Center (now PATH Santa Barbara). She took over and ran Paul’s aircraft-parts business in Chatsworth, commuting there three days a week and refusing to sell the company until a buyer agreed to hire all the employees. She bought a vineyard in her mid-90s and learned everything she could about raising grapes (and selling them). She always wrote thank-you notes. She will be missed by countless people she never met. She believed in making a difference, and she made Santa Barbara a better place for all of us. Thank you, Lady Leslie Ridley-Tree.
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Frame of Mind
In the art world, being rejected is not always a bad thing: The artists denied entry into the Paris Salon in 1863 had their revenge when Impressionism became more popular than academic art.
Colin Fraser Gray in his Ventura studio
Written by Lorie Dewhirst Porter | Photography by Sara Prince
In the art world, being rejected is not always a bad thing: The artists denied entry into the Paris Salon in 1863 had their revenge when Impressionism became more popular than academic art. Some years ago, when artist COLIN FRASER GRAY was not chosen for a local exhibition, he embarked on a series of fascinating artworks known as Museum for One, based on the concept of a personal museum and ways to exhibit artwork in “nonregular” buildings. The work highlights Gray’s interest in museum architecture, which nowadays pointedly competes with the art inside. The series displays works by other artists and features large prints of computer-enhanced pen-and-ink drawings, as well as three-dimensional sculptures featuring a built-in wineglass holder and a bottle of wine. (“For the opening,” the artist says mischievously.)
Originally from England, Gray emigrated to California 40 years ago to attend UCSB and never left, opting to teach art at the university’s College of Creative Studies, Santa Barbara City College, and elsewhere. His work, including several public art projects, is often whimsical, insightful, and political. It is always perfectly executed. Gray is also the gallery director at Vita Art Center, a nonprofit community art center in Ventura. colingraystudio.com