Floristry for the Future
Reimagining the art of arrangements and installations
Text and images excerpted from Punk Ikebana (Cameron Books) by Louesa Roebuck with photographs by Ian Hughes
I Silence. In ikebana, this particularly refers to a quiet appreciation of nature, free of noise or idle talk. I agree that to hear more clearly, to see more deeply, we need to learn to quiet the easily distracted “monkey brain,” the self—although I do reject the idea of humans as somehow separate from “nature.” And sometimes it’s fun to gossip while working!
II Minimalism. Here’s where my punk aesthetic comes in. I’m a bit of a rebel and a maximalist more often than not. I do strive for harmony and balance in my compositions always, but I also love the glam, the sexy, the louche, even. All of that said, the use of negative space is intrinsic to this practice, and often a foreign aesthetic concept to Westerners. I lean into both vibes.
III Harmonious Form and Line. When you gather and glean seasonal and local flora and compose naturally, you will find that harmony comes effortlessly. The longer, deeper, more studied, or more expansive your search becomes, the more treasures you find just outside your doors. Mother Earth contains all of the multitudes where they need to be; there’s no need to fly flora in from anywhere else.